Willamette University: Pacific Northwest College of Art
  • Undergraduate

    • 2023 BFA Thesis Portfolios
    • 2022 BFA Thesis Portfolios
    • Future Ephemera: Intermedia Group Exhibition
    • 2021 BFA Thesis Portfolios
    • 2020 BFA Thesis Portfolios
    • BFA Juried Exhibition

    Graduate

    • 2023 LRVS Thesis Exhibition
    • 2023 MFA Thesis Exhibition
    • l'appel du vide
    • 2022 MFA Thesis Exhibition
    • Time In-Between: Temporal Matter(s) - MFA First Year Exhibition
    • Comedic Pause, LRVS Group Exhibition
    • Speculative Futures: Art, AI & Digital Worldmaking
    • Dust to Dust - What Remains
    • some rites from a spring reckoning
    • 2021 MFA First Year Exhibition
    • MFA LRVS Exhibitions at Fourteen30 Contemporary
    • Post-Baccalaureate Exhibition
    • 2020 MFA Online Exhibition

    Exhibitions

    • UNLIMITED 2023 Alumni Salon Show
    • l'appel du vide
    • Syllabus for Black Love
    • THIS TIME...
    • Unlimited 2022 Alumni Salon Show
    • Body of Work
    • UNINCORPORATED
    • open ended:
    • String Fury
    • Interwoven: Act I
    • Everything You Need
    • The Terrifying Ordeal of Being Known
    • Exquisite Scrolls
    • Networks of (Be)longing
    • (See also:) variable performances of a well-designed site index
    • Unlimited 2020 Alumni Salon Show
    • The Unknown Artist
  • All Galleries
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A series of three vertical paintings with acrylic, grease pencil, wax crayon and graphite on Dura-Lar

Ketzia Schoneberg

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back shot of the Before Black Outdoors: GRIEF SWEAT SKIN exhibition

Travis Johnson

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polyptych video installation of Fool’s Parade, projected in a dark room

Vin Hill

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Walls; observations from within, Film photographs digitally printed on matte luster paper

Kurt Armstrong

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can't drown my demons, they know how to swim exhibition shot with as part of me (aspartame) and she go lo mein

Joe Bun Keo

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Bulge Culture by Handsome Exanthem exhibition shot

Dale Mcdonald

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Mutualism (oak galls), charcoal and graphic spherical drawings on boxes, hung on the wall

Deb Perry

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Performance of Global Network: Circles of Corruption in the Art Market

Adelaide Blair

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Stelo

On view at 412 NW 8th Ave, Portland

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closeup shot of Video: Music in Memory, Zine: CitySoundPDX issue 1, a wall of posters, with a screen playing video on the right. The pedestal in the center includes an interactive tablet

Brendy Hale

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A Better Read on Identity front shot

Hafsa Aden

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Detail shot of Foam Pieces: What was Once Ours 3 and Door: 3912 Hazelwood Lane 2

Indo Fulcher

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The Safe Beauty Project exhibition shot with acrylic prints on the window and ipad and video loops on the wall panel with the vinyl label: creating a more transparent future for cosmetics

Katie Vellman

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Rooted Resilience, set of 9 butterfly prints on amate paper,

Maritza Galvan

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large various objects printed into collage of 8 prints with candles and bricks laid on the floor

marvin parra orozco

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Space Activation exhibition shot, showing a stool with a 3d like graph, with figures on pedestal, a poster, and several profile like prints on walls

Miguel Rodriguez

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. . . in another light, to see from another angle, front shot of three inkjet prints

Olive Ritson

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fields 1 and 2, a large horizontal print with a series of smaller squares, lifted by wire

Will Mairs

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Willamette University: Pacific Northwest College of Art Pacific Northwest College of Art Pacific Northwest College of Art P aci fi c Nort h wes t Co l le g e o f Ar t P aci fi c Nort h wes t Co l le g e o f Ar t Pacific Northwest College of Art Pacific Northwest College of Art



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